2022
ODE: The Representation & Role of Women in Visual Culture, Thesis book
Visual identity. Business cardsVisual identity. Web design. Homepage
Visual identity. LetterheadVisual identity. Instagram profile and stories
ODE magazine. The Lover, issue 1. Cover
ODE magazine. The Lover, issue 1. Spreads
ODE magazine. The Lover, issue 1. Communication – Postcards
ODE. Campaign, video manifesto. Stealomatic
Oppression and exclusion of women from visual culture because of traditional art canons. Two problems: how women are represented and the exclusion of women artists. Comes from art institutions/power structures in visual culture which created and are still implementing the traditional art canons that limit women. The video manifesto takes the problem about women representation in visual culture and the fact that women seem to only have a place in this representation, therefore silencing any other alternative, and limiting women to the role of the ‘muse’.
Voiceover
To you, viewer
Behind the canvas, behind the screen
Have you questioned,
How you see me?
I am solely a muse,
Meant to be looked at.
That’s my use.
I project your fantasies,
Your desires.
I am molded to fit these.
Now that you look at me,
Will you inspect me? Subject me?
Or objectify me? Possess me?
Instead I ask you,
“See me”.
I tell you,
“See me”.
I need you
To see me.
To realize, analyze, devise.
Don’t compromise. Instead
Criticize, modernize, revolutionize.
For culture is not whole
If women only have a place
If they adhere to the male gaze,
which I, the muse, portray.
Question the canons. Question the
institutions. Question your own work.
Question what you see.